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AGENCY : Global Roster : Katie Drover  
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Katie Drover

DJ / Melbourne, Australia
MUSIC: Deep House, House, Tech House, Techno
AFFILIATION:

BOOKING CONTACT:
bookings@shejay.net
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TRACKS / MIXES:
Take Me Somewhere Special on Your DJ Machine - Vol 1 (Electro-house) · Listen · Report
Take Me Somewhere Special on Your DJ Machine - Vol 1 (Electro-house) · Listen · Report
Katie Drover - June 06 (Electro-house) · Listen · Report
October Minimal Mix (Other) · Listen · Report
March 2007 (Electro-house) · Listen · Report
Month of May Minimalistic Music Mixup Madness (Tech House) · Listen · Report
Sojourn (Tech House) · Listen · Report
Sanguine (Tech House) · Listen · Report

BIOGRAPHY
DJing is as much an art form, as it is entertainment; finding the right records to move the dancefloor is one thing, but giving audiences something to take away from the experience is quite another. Katie Drover knows how to take people to that next level. In the 8 years since her first professional gig, this Melbourne DJ has injected her performances with a captivating energy and passion that's made her an immediate standout in a city already blessed with incredible record-spinning talent.

A prodigious musical talent, Drover immersed herself in music from an early age, playing piano and saxophone and having a strong passion for classical music and jazz & blues. Katie's insatiable musical hunger meant she'd soon discover a liking for Lounge, Trip Hop and Acid Jazz, revelling in the likes of Tricky and downbeat masters Portishead and Massive Attack.

In 1998 as a 16 year old, Drover's desire to have her own proper slice of the dance music action led her to sneak into infamous suburban club Wild Bills, where veteran DJ Ivan Gough would regularly spin. Legendary techno club Teriyaki was also on the Katie's hit list around this time. But like so many Generation Y DJs, Carl Cox sealed the deal for her in 2001, with a blistering set at the 2001 Big Day Out.

Once she'd hit legal age, Drover scored herself a job working in the cloak room of the newly opened Room 680. Every Saturday night she's soak in the sounds of Melbourne luminaries Sean Quinn, Kasey Taylor and Sam Fraser. She was hooked. After moving in with a DJ in early 2002, the music-mad girl nagged her room mate to show her the ropes and by September this year she was playing her first gig at Room.

With a natural flair for blending a divergent array of sounds into one seamless flow, Katie's impact was instantaneous. Encompassing the full breadth of the house genre from tech, minimal, deep, disco and electro she'd drop it all, drawing influence from everyone from Billie Holiday and Charlie Parker, to Derrick Carter and Stacey Pullen.

A favourite amongst Melbourne's punters, Katie currently holds an enviable list of residencies, knocking out the goods at One Six One, Wah Wah, Bimbo Deluxe and one of Melbourne's biggest Saturday nights, Sorry Grandma. Her ever-growing popularity also ensures she's a regular at many other Melbourne and interstate parties with massive appearance at Godskitchen in 2006, SummaDayze 2007, 2008, 2009 and again this year, Falls Festival 2007 and 2008, Future Music Festival 2008 and the Sydney Mardi Gras ensuring she has the dancefloor's seal of approval.

Her big name support slots are no less impressive, having been billed alongside the likes of Roger Sanchez, Felix da Housecat, Paolo Mojo, Nic Fanciulli, Spirit Catcher, Josh Wink, Alex Kid and Sebastien Leger to name just a few.

An artist whose passion for dance music spreads far and wide, Katie also hosts 'It Is What It Is' on Kiss FM every Saturday Night at 8pm, alongside Keltec, with the duo dropping the finest home-grown and international slices of dance each week. Drover also hosts her own monthly show 'Speaker Syrup' on renowned US online radio station, Proton Radio and was the guest presenter on Triple J's 'The Club' with her mixes also being regularly featured on the program.

Few would disagree that the sky's the limit for Katie Drover. With production being next on her list of things to conquer, her stubborn determination to succeed will no doubt see her break boundaries on and off the dancefloor


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