It's very rare that I will ever discuss what I listen to. The reason is that I want Behind The Decks to not be about genres but to be about DJing and the creative process. However, I had to write about an experience I recently had that inspired me to write about what it means to listen to music as a DJ. I recently received the Plastikman Arkives LP box set. The first thing I have to say is that this is a work of art. A truly challenging musical experience unlike anything I've heard in a long time. When you get something like this, you have to just sit and listen to it. Get your favorite chair, fire up the system, and just listen. This made me think about how we listen to music and if we still listen to it enough to appreciate it.
These days it seems we're either in two camps, we reminisce over sounds that just aren't produced the way they used to be ( the "everything is crap" opinion ), or we breeze through tracks, make a mental note, put a few tags to them and then leave them ( the "I must build up a massive library for that just in case moment" ).
But what if you set up an "audio campfire" and just listened. Following the movements and sounds and discussing how that music makes you feel - not what it will do to the dancefloor or at what point you're going to drop it in your set or what other tracks it goes with. Paying attention to the construction of the piece and trying to understand what the producer's point of view is.
It's the DJ equivalent of stopping and smelling the roses. Something like the Plastikman Arkives box set comes around once in a blue moon and it's a game changer in my opinion. It is a series of real compositions that Richie Hawtin has made his life's work and allows the remixers like Moby, Carl Craig, Green Velvet and Dubfire an opportunity to really play and extend themselves as artists ( you will not hear the usual from these guys on this album, trust me ). It is only right to sit and listen to it without imposing my thoughts on what I would do with this material. I actually felt smarter afterwards not just because it is an incredible piece of work but due to listening deeply.
DJ EXERCISE: I want you to go into your discography and create a playlist that challenges you. I'm sure you have music that at some point you realized was special, one of a kind, and unable to be categorized. Make a playlist like that and then sit and listen around your "audio campfire". You may have the beginnings of another threshold of musical understanding - and that's what's required of you as a DJ.
Recap: Take the time to create an "audio campfire". Listen for the point of view of the DJ/Producer. Create a challenging playlist and extend yourself musically as an appreciator.
If you like what you read here and want more thoughts from Christina contact her here: cristina(at)shejay.net
Originally published by: http://www.behindthedecks.org